|
||||||||||||||||||||||||||||||||||||||||||||
The Charles E. Cooper Studio rented three
floors in the high rent district of New York. When the
magazines started to go out of business, one after
another, the money was just not there to pay the
overhead, the rent. So when Charles E. Cooper had
to down size, one of his salesmen, Bill Erlacher,
started his own group, Artists Associates. While most agents had scores of artists that
mostly starved doing a rare job, Bill
worked with a relatively few artists who were the best
at what they did, and so he could always find work to
keep them busy. |
||||||||||||||||||||||||||||||||||||||||||||
While the images Charles E Cooper put in his flyers did not make much difference to his business; the images Bill Erlacher put into his Artists Associates flyers made a huge difference for his business. |
||||||||||||||||||||||||||||||||||||||||||||
One of the first advertising flyers for Artists Associates. There is Norman Adams’ art on this flyer and then there is the art of Murray Tinkelman on the Charles E. Cooper flyer. |
||||||||||||||||||||||||||||||||||||||||||||
|
|||||||